Tis the season for Goblin, Frizzi, Carpenter, et al. This is my personal fave. Enjoy!
Bill Oh Really
9 years ago
Ephemeral obsessions and other pretentious musings

Most of the month of September had me absorbed in Malory's crowning achievement. These two mammoth volumes, at times difficult to get through, exemplify the Arthurian legends and the chivalric romance. Throughout history many authors have contributed to the myth and legend of Arthur, but none so comprehensively as Malory.
Another Dan Simmons novel and another book overly bloated with unneeded research and detail. I'm starting to think that Dan Simmons actually likes research better than plot and character development.
I actually bought this for my son, but one afternoon, being bogged down in Malory's antiquated prose, I picked it up and gave it a read. Not bad. My son loved it and has been bugging me for volume 2.
Well, I finally finished the Preacher series. This series had a difficult time keeping up the pace and the degradation established early on. It didn't end poorly, it's just that the series started so strongly and was filled with so much violence and blasphemy that it must have been hard to keep thinking up more and more extreme debauchery. Fun stuff nonetheless.
I'm no know-it-all, but I would say that most casual observers love Sergio Leone's The Good, the Bad, and the Ugly for three reasons:
Co-authors Gibson, of whose books I never miss, and Sterling, of whose books I've read one other, imagine a world in which Charles Babbage actually created his Difference Engine, a sort of steam-driven, monstrous computer. This advance has placed England on even a larger pedestal then the one they actually occupied, their machinations are felt the world over, particularly in the United States where there is not one united nation but four: the northern states, the southern states, and the republics of California and Texas, and scientists occupy the highest strata in society.
This installment of the 9 volume series is actually quite tame compared to its predecessors. I get the feeling it sort of serves as an interlude before the series begins to be wrapped up in the final two volumes. A good read as far as comics go, but seriously lacking the punch that made the earlier installments so much fun.
I have now read all of Hammett's novels and I'm disappointed that it seems, in my opinion, I saved the worst for last. All of Hammett's other novels I have supremely enjoyed in one degree or another, but there was something in this tale of big-city corruption, gangland warfare, and murder mystery that did not work for me. I found the protagonist largely unsympathetic and many of his actions and interactions with the other characters contrived and illogical.
If you consider yourself a music fan and you are not all over this series of books from Continuum publishers I seriously question your devotion. Obviously I will never read all of these because, frankly, I don't give a damn for some of the albums covered in the series.



I've got Calibro 35 on the mind again because I just got their new album 'Ritornano Quelli Di...'. If you're not familiar with this band you are really doing yourself a disservice. On their first album they brought us an amazing batch of classic Italian soundtrack covers with a couple original tunes that are so lovingly composed in the vein of the great poliziotteschis that, if you were none the wiser, you would have thought were composed by Cipriani or Micalizzi. I'm pleased to say they've given us the reciprocal here. Just a few great covers, but a whole bunch of originals. Again they wear their influences on their sleeves, but what influences! These guys are a must for any fan of 60's and 70's Italian cinema and the music of Morricone, Umiliani, Ferrio, Ortolani, and of course Micalizzi and Cipriani.
Gaiman's Anansi Boys is similar in a lot of ways to his novel American Gods. Although I think most people would probably disagree with me, I actually liked this better than American Gods. I really enjoyed the main character Fat Charlie. I think the main reason I liked this better is because a friend of mine had been hyping American Gods to me for years before I finally read it, and it didn't really live up to the hype. Gaiman is a natural storyteller though, and I've enjoyed all his books so far.
Clever novel by Hammett following the Continental Op as he works a series of cases over a few years all centered around the same family. You can't go wrong here.
Simmons novelette takes place in the far future when humans have become subjected by a hierarchy of greater and more powerful beings, and a space-faring Shakespearean troupe holds the fate of mankind on their stage. Quite entertaining.



The Hard Case books, The Cutie and The Murderer Vine, were trite yet engaging forays into two very different American underbellies. In Blue City MacDonald has written a novel similar in theme to Hammett's Red Harvest, which many have claimed to be the basis for Yojimbo, Fistful of Dollars, and Walter Hill's Last Man Standing. Corwainer Smith writes strange sci-fi which didn't do much for me, and as for A Voyage to Arcturus, I picked it up because I had heard it was a lost classic, with some luminaries going so far as to call it the best novel of the 20th Century. I was hoping for something along the lines of The King in Yellow, or House on the Borderlands, or even The Worm Ouroboros, but alas it was not so. A rambling, metaphysical, albeit imaginative, and meandering novel that didn't really do anything for me.
I have lavished praise on the Strugatskys in these pages before, and I'll do it again. I think there's nothing I would rather read these days than one of their novels. This is actually a collection of short stories written between 1960 and 1966 which feature many recurring characters collected loosely together as a novel. Striking, far-sighted, insightful, and always human. I love these guys.
Written around the 13th or 14th Century, but probably based on older legend, this extremely readable verse translation is highly entertaining. Honor, chivalry, love, lust, timeless themes in a timeless poem.











